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Friday, July 31, 2009

Charismatic Megafauna in Hollywood

It’s fitting somehow that two of Los Angeles major tourist attractions are adorned by huge statues of elephants. In the Hindu religion Ganesha, the Hindu Elephant Deity, is the god of success, destroyer of evil and obstacles, god of knowledge, wisdom and wealth. Hollywood, Mecca to all those who dream of fame and fortune on stage and screen, seems an appropriate site to situate such massive statues paying tribute to the mighty pachyderm.

The La Brea Tar Pits sport four wooly mammoths around the pond, one of whom is trapped and sinking while his family watches helplessly from the shore. Even today, at the Page Museum history is being rewritten with Project 23. Twenty-three crates of huge asphaltic deposits were unearthed when the Los Angeles County Museum of Art, next to the La Brea Tar Pits extended their campus to include the Broad Contemporary Art Museum. Those 23 crates are being opened and cleaned in public view in the Fish Bowl laboratory. Zed, a rare male Columbian mammoth fossil with 10 foot tusks was also uncovered during construction at the museums.

The Babylon Court at Hollywood and Highland , site of the Hollywood Walk of Fame and the Kodak Theatre, sports two massive elephant statues copied from the set of D. W. Griffith’s movie Intolerance: Love’s Struggle Throughout the Ages made in 1916.

The history of modern film making began in 1895 with the first film made for projection. From elephant graveyards, to elephant guns, from circuses to epic spectacles, elephants have found there way onto the silver screen since the beginning. Elephants made their début with “A Visit to Baby Roger” made in 1900 and starring a baby elephant in Providence, Rhode Island. In 1903 Topsy the elephant was filmed being electrocuted by Thomas Edison to demonstrate the dangers of electricity after Topsy killed three of her handlers who had been torturing her. In 1916 elephants were part of the epic splendor of “Intolerance”. In 1930 Harpo Marx shot an elephant in his pajamas. Elephants danced in pink ballet shoes in “Fantasia” (1940), flew and went on a Technicolor parade in “Dumbo”(1941). Henry Mancini composed the baby elephant walk in 1962 for “Hatari!” with John Wayne and the Simpsons introduced it to a new generation. Horton Heard a Who then Horton Heard The Who. Sigfred & Roy and Chris Angel have made elephants disappear. Mythbusters have proven that elephants are afraid of mice. From cartoons to movies, television shows to magic shows, and comedy to drama elephants have managed to capture the imagination of Hollywood for over 100 years and between the La Brea tar pits and Hollywood, elephants have been making history in Los Angeles for over 40,000 years.

Friday, July 24, 2009

Legends Rest in Peace

Tucked away behind an office building, a movie theatre and a library on the west side of Los Angeles, half a block from Wilshire Blvd. is a peaceful, tree shaded, postage stamp sized graveyard. The graveyard may be small but it’s inhabitants were and still are huge in our memories. Interred in marble crypts and under grassy lawn, here lie:


Fanny Brice (1891-1951)

Truman Capote (1924-1984)

James Coburn (1928-2002) & Paula Coburn (1955-2004)
Go Bravely On Love is the Answer

Bob Crane (1928-1978) & Sigrid Valdis (1935-2007)
Col. Hogan & Hilda together forever.

Rodney Dangerfield (1921-2004)
There goes the neighborhood.

Merv Griffin (1925-2007)
I will not be right back after this message.

Don Knotts (1924-2006)

Jack Lemmon (1925-2001)
In

Dean Martin (1917-1995)
Everybody loves somebody sometime.

Walter Matthau (1920-2000)

Marilyn Monroe (1926-1962)

Carol O’Connor (1924-2001)

Roy Orbison (1936-1988)

Bette Mae Page (1923-2008)
Queen of Pin-Ups

Mel Torme (1925-1999)
Music, the greatest good that mortals know and all of heaven we have below.

Billy Wilder (1906-2002)
I’m a writer but then nobody’s perfect.

Frank Zappa (1940-1993)

And many more. Marilyn’s marble crypt is never without a bouquet of flowers. Dean Martin rests in the Sanctuary of Love. Frank Zappa and Roy Orbison chose to rest in unmarked graves rather than suffer the fate of Morrison. Their only monument: anonymous donors occasionally leaving a guitar pick to mark their resting place. There are many cemeteries in Los Angeles, but none more classic, peacefully dignified, evocatively memorable. Whether intentional or not these legends changed their world.

Friday, July 17, 2009

Diamonds, Lace, Couture & Grand Masters

There is something irresistible about Galerie Michael on Rodeo.

Tiffany’s is unforgettable. Providing indestructible power statements for swan like throats. Enabling elegantly polished fingers to make graceful gestures with sparkling emphasis and cold fire. Embellishing elaborately coiffed heads with rainbow flashes dramatically peaking out between wild strands of hair with well planed spontaneity.

La Perla is a fun fantasy romp through sexy scraps in finest lace and satin, fringes, feathers, and crystals whose future is easy to predict. Their collections celebrate the power and art of seduction with glamour and taste showing unsurpassed attention to detail using the elegance of the roaring twenties, the colorful freedom of the sixties and the sweet pretty security of the fifties to put Fredrick’s to shame and leave Victoria in the dust.

Dior’s glamour and elegance is reflected in retro cruse wear Katherine Hepburn would be comfortable in. The models, all long hair and painted lips, southern bells with Reo attitude. Dior’s summer sheers mock modesty in a way Madonna would appreciate. Clothed and unclothed all in the same breath, fifties flirty and feminine styles with sixties colors and hemlines not to mention the ultimate cell phone that can be discretely tucked away into one of their fuchsia or orange purses. The purses so bright and cheery you could just take a bite out of them.

But Galerie Michael is timeless. The one shop on Rodeo that’s hard to resist revisiting. Like a mini museum in the middle of the block, their walls are covered with classics from Rembrandt to Picasso. The list of offerings reads like a roll call of the great masters Cassatt, Cezanne, Chagall, Degas, Dali, Toulouse Lautrec, Manet, Matisse, Picasso, Rembrandt, Renoir, Whistler… Unlike a museum though, these offerings are obtainable if one has deep enough pockets. The latest offerings are bright, colorful pieces by Alexandre Renoir, the great-grandson of Pierre-Auguste Renoir.

Along with various oils of landscapes and flowers, he has rendered his own interpretation of some of his Great-Grandfather’s most famous pieces most notably “Luncheon of the Boating Party” demonstrating the versatility and variety of the human continence and how even the slightest alteration of expression or feature can change our entire perception of a situation or a person. His work does homage to the genius of his Great-Grandfather, dissecting the symphony of the crowd and distilling each moment, each conversation, each individual grouping into its own private universe. He demonstrates how independently they hold their own as compositions, adding to the whole but not dependent on it to tell their own story.

Unlike Picasso who leaves the impression he had a very strange and fragmented perception of women or Dali who had a very desolate and fluid interpretation of the world with strange juxtapositions and combinations of seemingly incompatible objects, Pierre-Auguste Renoir and his Grandson Alexandre celebrate life in a brightly colorful and positive manner that is refreshingly happy and a pleasure to perceive. A pleasant gift to the senses that leaves one walking away with a smile. No small accomplishment in today’s world. All of them make it well worth a visit, at the very least, to Galerie Michael.

Thursday, July 9, 2009

From the Big Picture to the Men Behind It

As one can well imagine photography is big in Los Angeles but what never ceases to amaze me are the hidden galleries, little gems, to be found all around town. From the candid shots in the Rainbow Room to the camera museum and gallery in Samy’s Cameras to the back corridors in the Beverly Hilton, simply amazing photographs lending their authenticity to the mystique and allure of Hollywood and Los Angeles are everywhere.

Wandering into the smallest restaurant one can find autographed photos of celebrities as diverse as Lucile Ball, Sammy Davis, Jr. (they appear to have liked Chinese food) and Guns and Roses (Canter's Deli). The optical store in the middle of the block may have rows of framed and autographed shots of satisfied customers from the Red Hot Chili Peppers to Sophia Loren. From restaurants to boutiques, from hotels to nightclubs half the fun is seeking out the hidden and, many times, not so hidden, galleries paying homage to past patronage by celebrity and fame in a town where the photographers become as famous as those they capture on film.
Most times we forget that there are great artists behind the camera as well as in front of it until we see their work showcased in retrospective. Here are a few of my favorite photographers from the walls of Samy’s Cameras:

Jim Marshall - Marshall Photo

Frank Jackson – Fotographz

Paul Ryan

Along with the still photographers on the walls of Sammy’s Cameras are featured several shots by cinimogrphers better know for their work behind a movie camera like Isodore Mankofsky, Conrad Hall, Vilmos Zsigmond, Haskell Westler, Francis Kenny, Phedon Papamichael, Marc Reshovsky, and Rodney Charters.

From a Viper GTS Coupe to the Black Panthers Chicago “66, from the Tuskegee Airman to the Blue Angels, from Johnny Cash to Thelonius Monk to Janice Joplin, take a walk up the stairs instead of taking the elevator at Sammy’s Cameras. It’s well worth it and where ever you visit in town, take a look around. You never know who's footsteps you may be walking in and what hidden surprises you may find.

Thursday, July 2, 2009

Where were you July 20, 1969?

600,000,000 TV viewers
Two men walked on the Moon.

From Space Odyssey to Space Oddity, from Star Trek to Star Wars and science fiction going mainstream, the spark that set it off was on TV July 20, 1969 when 600,000,000 TV viewers set mesmerized as man first set foot on the moon.

Saturday Buzz Aldrin had a book signing at the Grove. “Magnificent Desolation: The Long Journey Home from the Moon” is now an autographed treasure. Transfixed, mesmerized by this small huge man we listened raptly as he spoke of further exploration and journeys to Mars. Of all the people in the world to meet, to see in person, to hear speak, only Neil Armstrong is on a par with Buzz Aldrin, nobody else can even come close. Immortalized at Hollywood and Vine, no star on the Hollywood Walk of Fame has ever reached higher and succeeded.

Sidebar: Neil Armstrong. Not Lance! Neil! One would think when making an introduction the right names would be used. What were you thinking?!!!

Chuck Berry, Louis Armstrong and Blind Willie Johnson may Voyage further but their final destination is still unknown and unknowable. Will we be there to catch them 40,000 years from now when they come to a stop? Or will this be the last great step for man? Robotic exploration over the last thirty years is all well and good however the need for man to reach the stars is greater still. Whether the excuse is to search for new energy sources, economic expansion through exploitation of lunar and asteroid resources, population relief through migration, tourism or rooms with a view we need those who will take their passion for the stars to the extreme and develop ways to continue on into the vastness of space at Mach 8 or faster.

The spirit of Apollo 11 has never dimed but rather has expanded from Astroland at Coney Island to the Air & Space Museum, from the music to literature, from Hollywood to cyberspace encouraging and fanning the flames of our expectations when red tape and cold war distractions threatened to bury the dream forever. If nothing else, the internet has provided the funds to promote interest. Men like Paul Allen , Sergey Brin , Richard Garriott, Fred Bourgeois, III, John Carmack, Jeff Bezos , and Elon Musk are providing incentive and funding for private exploration of space. Lets hope we have more success in our quest than Thomas Jerome Newton did in his.

Will we make the grade or anesthetize ourselves to pretend we don’t care? The Sea of Tranquility was only the first step, regardless of motivation and agendas ranging as they do from altruism to greed, from international cooperation to promoting a singular cause, exploration of space and the technology and knowhow to do so are of paramount importance to all. George Carlin may have worshiped the sun but I grew up looking to the stars. If you are one of those 600,000,000 who first witnessed the Apollo 11 landing July 20, 1969 chances are you are too.

PS: If you’d like to be an astronaut Starchaser Industries is taking applications.

PPS: Or, for only 25 to 35 million you can travel to the space station.